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Pagina 92
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including ...
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including ...
Pagina 201
In each of these there is the assumption that it is the true enumeration of the defining properties of art , with the implication that previous theories have stressed wrong definitions . Thus , to begin with , consider a famous version ...
In each of these there is the assumption that it is the true enumeration of the defining properties of art , with the implication that previous theories have stressed wrong definitions . Thus , to begin with , consider a famous version ...
Pagina 202
Certainly , at one time at least it seemed to me that this organic theory constituted the one true and real definition of art . My final example is the most interesting of all , logically speaking . This is the Voluntarist theory of ...
Certainly , at one time at least it seemed to me that this organic theory constituted the one true and real definition of art . My final example is the most interesting of all , logically speaking . This is the Voluntarist theory of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |