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Pagina xxvii
If by " truth " one means accurate description , Richards is right in maintaining that it falls within the realm of science and not of art . The statement , “ The sky is blue , " is true in a descriptive sense if it is objectively the ...
If by " truth " one means accurate description , Richards is right in maintaining that it falls within the realm of science and not of art . The statement , “ The sky is blue , " is true in a descriptive sense if it is objectively the ...
Pagina 38
We learn to value truth more and more as our love and knowledge of nature increase . But fidelity is a merit only because it is in this way a factor in our pleasure . It stands on a level with all other ingredients of effect .
We learn to value truth more and more as our love and knowledge of nature increase . But fidelity is a merit only because it is in this way a factor in our pleasure . It stands on a level with all other ingredients of effect .
Pagina 61
Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two terms are in reality but one . Truth as to fact ...
Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two terms are in reality but one . Truth as to fact ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York