A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 55
... uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its possession gives him his claim to ...
... uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its possession gives him his claim to ...
Pagina 133
... uncon- scious . Such repressed wishes and their derivatives can therefore achieve expression only when almost completely disguised . When scientific work had succeeded in elucidating the distortion in dreams , it was no longer difficult ...
... uncon- scious . Such repressed wishes and their derivatives can therefore achieve expression only when almost completely disguised . When scientific work had succeeded in elucidating the distortion in dreams , it was no longer difficult ...
Pagina 516
... Uncon- scious : Papers on the Psychology of Art , Literature , Love , Religion , New York , 1958 . Psychoanalytische Studien der Dichtung und Kunst , Leipzig , 1924 . Wit and Its Relation to the Un- conscious , New York , 1916 . and ...
... Uncon- scious : Papers on the Psychology of Art , Literature , Love , Religion , New York , 1958 . Psychoanalytische Studien der Dichtung und Kunst , Leipzig , 1924 . Wit and Its Relation to the Un- conscious , New York , 1916 . and ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York