A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 36
... uncon- scious of their collocation , and all nature would have been insensible of their changing arrangement . We only , the possible spectators of that process , by virtue of our own interests and habits , could see any progress or ...
... uncon- scious of their collocation , and all nature would have been insensible of their changing arrangement . We only , the possible spectators of that process , by virtue of our own interests and habits , could see any progress or ...
Pagina 184
... uncon sciously to fill in until his thought grows strong again . The real work of an artist is to build up an experience that is coherent in perception while moving with constant change in its development . When an author puts on paper ...
... uncon sciously to fill in until his thought grows strong again . The real work of an artist is to build up an experience that is coherent in perception while moving with constant change in its development . When an author puts on paper ...
Pagina 516
... Uncon- scious : Papers on the Psychology of Art , Literature , Love , Religion , New York , 1958 . Psychoanalytische Studien der Dichtung und Kunst , Leipzig , 1924 . Wit and Its Relation to the Un- conscious , New York , 1916 . and ...
... Uncon- scious : Papers on the Psychology of Art , Literature , Love , Religion , New York , 1958 . Psychoanalytische Studien der Dichtung und Kunst , Leipzig , 1924 . Wit and Its Relation to the Un- conscious , New York , 1916 . and ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York