A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 320
... understand a syllable . The pleasure is quite appreciable , but it is not great ; nor in actual poetic experience do you meet with it , as such , at all . For , I repeat , it is not added to the pleasure of the meaning when you read ...
... understand a syllable . The pleasure is quite appreciable , but it is not great ; nor in actual poetic experience do you meet with it , as such , at all . For , I repeat , it is not added to the pleasure of the meaning when you read ...
Pagina 384
... understand why the concept of artistic purpose is given such an exclusive importance so long as we start with the ... understanding . " But what is this healthy human understanding if not the lazi- ness of our minds , which will hardly ...
... understand why the concept of artistic purpose is given such an exclusive importance so long as we start with the ... understanding . " But what is this healthy human understanding if not the lazi- ness of our minds , which will hardly ...
Pagina 442
... understanding of this highest truth it is not necessary to learn anything by heart or to make experiments ; and yet serious and severe training is required . We have said that to understand anything as it is in itself , we must be able ...
... understanding of this highest truth it is not necessary to learn anything by heart or to make experiments ; and yet serious and severe training is required . We have said that to understand anything as it is in itself , we must be able ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York