A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 173
... unity that gives it its name , that meal , that storm , that rupture of friendship . The existence of this unity is constituted by a single quality that pervades the entire experience in spite of the variation of its constituent parts ...
... unity that gives it its name , that meal , that storm , that rupture of friendship . The existence of this unity is constituted by a single quality that pervades the entire experience in spite of the variation of its constituent parts ...
Pagina 328
... unity I call evolution . By this I mean the unity of a process when the earlier parts determine the later , and all together create a total meaning . For illustrations , one naturally turns first to the temporal arts . The course of a ...
... unity I call evolution . By this I mean the unity of a process when the earlier parts determine the later , and all together create a total meaning . For illustrations , one naturally turns first to the temporal arts . The course of a ...
Pagina 493
An Anthology Melvin Miller Rader. VIII [ The plot must be a unity . Unity of plot consists not in unity of hero , but in unity of action . The parts must be organically connected . ] Unity of plot does not , as some persons think ...
An Anthology Melvin Miller Rader. VIII [ The plot must be a unity . Unity of plot consists not in unity of hero , but in unity of action . The parts must be organically connected . ] Unity of plot does not , as some persons think ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York