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Pagina 173
In a work of art , different acts , episodes , occurrences melt and fuse into unity , and yet do not disappear and lose their own character as they do so - just as in a genial conversation there is a continuous interchange and blending ...
In a work of art , different acts , episodes , occurrences melt and fuse into unity , and yet do not disappear and lose their own character as they do so - just as in a genial conversation there is a continuous interchange and blending ...
Pagina 328
Another and last type of unity I call evolution . By this I mean the unity of a process when the earlier parts determine the later , and all together create a total meaning . For illustrations , one naturally turns first to the temporal ...
Another and last type of unity I call evolution . By this I mean the unity of a process when the earlier parts determine the later , and all together create a total meaning . For illustrations , one naturally turns first to the temporal ...
Pagina 493
Unity of plot does not , as some persons think , consist in the unity of the hero . For infinitely various are the incidents in one man's life which cannot be reduced to unity ; and so , too , there are many actions of one man out of ...
Unity of plot does not , as some persons think , consist in the unity of the hero . For infinitely various are the incidents in one man's life which cannot be reduced to unity ; and so , too , there are many actions of one man out of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York