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Pagina xxvi
The work of art may be defined as an organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented ...
The work of art may be defined as an organic unity of value - expressive constituents . The constituents include representations , connotations , and purely sensuous materials , and there is almost no value that cannot be represented ...
Pagina 173
In a work of art , different acts , episodes , occurrences melt and fuse into unity , and yet do not disappear and lose their own character as they do so — just as in a genial conversation there is a continuous interchange and blending ...
In a work of art , different acts , episodes , occurrences melt and fuse into unity , and yet do not disappear and lose their own character as they do so — just as in a genial conversation there is a continuous interchange and blending ...
Pagina 328
Another and last type of unity I call evolution . By this I mean the unity of a process when the earlier parts determine the later , and all together create a total meaning . For illustrations , one naturally turns first to the temporal ...
Another and last type of unity I call evolution . By this I mean the unity of a process when the earlier parts determine the later , and all together create a total meaning . For illustrations , one naturally turns first to the temporal ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |