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Pagina 173
In a work of art , different acts , episodes , occurrences melt and fuse into unity ,
and yet do not disappear and lose their own character as they do so — just as in
a genial conversation there is a continuous interchange and blending , and yet ...
In a work of art , different acts , episodes , occurrences melt and fuse into unity ,
and yet do not disappear and lose their own character as they do so — just as in
a genial conversation there is a continuous interchange and blending , and yet ...
Pagina 328
Another and last type of unity I call evolution . By this I mean the unity of a
process when the earlier parts determine the later , and all together create a total
meaning . For illustrations , one naturally turns first to the temporal arts . The
course of ...
Another and last type of unity I call evolution . By this I mean the unity of a
process when the earlier parts determine the later , and all together create a total
meaning . For illustrations , one naturally turns first to the temporal arts . The
course of ...
Pagina 483
Perhaps I may be allowed once more to quote short passage from Mr.
Abercrombie , for he puts the matter , as usual , with charming concretea though
by means of a unity far less direct than. ness . “ Length , ” he says , 4 “ in itself is
nothing ...
Perhaps I may be allowed once more to quote short passage from Mr.
Abercrombie , for he puts the matter , as usual , with charming concretea though
by means of a unity far less direct than. ness . “ Length , ” he says , 4 “ in itself is
nothing ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |