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Pagina 92
It is useless to object that the individuality of the image cannot subsist without reference to the universal , of which that image is the individuation , because we do not here deny ...
It is useless to object that the individuality of the image cannot subsist without reference to the universal , of which that image is the individuation , because we do not here deny ...
Pagina 109
But it is still love , still within the universal of feeling and objective to the individual mind . That is to say , the educated man is still , in his primitive emotional make - up , part of the universal real .
But it is still love , still within the universal of feeling and objective to the individual mind . That is to say , the educated man is still , in his primitive emotional make - up , part of the universal real .
Pagina 493
Dramatic unity can be attained only by the observance of poetic as distinct from historic truth ; for poetry is an expression of the universal ; history of the particular . The rule of probable or necessary sequence as applied to the ...
Dramatic unity can be attained only by the observance of poetic as distinct from historic truth ; for poetry is an expression of the universal ; history of the particular . The rule of probable or necessary sequence as applied to the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |