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Pagina 92
It is useless to object that the individuality of the image cannot subsist without reference to the universal , of which that image is the individuation , because we do not here deny ...
It is useless to object that the individuality of the image cannot subsist without reference to the universal , of which that image is the individuation , because we do not here deny ...
Pagina 109
But it is still love , still within the universal of feeling and objective to the individual mind . That is to say , the educated man is still , in his primitive emotional make - up , part of the universal real .
But it is still love , still within the universal of feeling and objective to the individual mind . That is to say , the educated man is still , in his primitive emotional make - up , part of the universal real .
Pagina 493
Dramatic unity can be attained only by the observance of poetic as distinct from historic truth ; for poetry is an expression of the universal ; history of the particular . The rule of probable or necessary sequence as applied to the ...
Dramatic unity can be attained only by the observance of poetic as distinct from historic truth ; for poetry is an expression of the universal ; history of the particular . The rule of probable or necessary sequence as applied to the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York