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Pagina 92
It is useless to object that the individuality of the image cannot subsist without
reference to the universal , of which that ... that the universal , as the spirit of God ,
is everywhere and animates all things with itself , but we deny that the universal
is ...
It is useless to object that the individuality of the image cannot subsist without
reference to the universal , of which that ... that the universal , as the spirit of God ,
is everywhere and animates all things with itself , but we deny that the universal
is ...
Pagina 109
But it is still love , still within the universal of feeling and objective to the individual
mind . That is to say , the educated man is still , in his primitive emotional make -
up , part of the universal real . His difference is only ideal and formal , just as a ...
But it is still love , still within the universal of feeling and objective to the individual
mind . That is to say , the educated man is still , in his primitive emotional make -
up , part of the universal real . His difference is only ideal and formal , just as a ...
Pagina 136
... by magnification , something that occurs less markedly and intensively in the
minds of the majority of children . Antiquity has furnished us with legendary
matter which corroborates this belief , and the profound and universal validity of
the old ...
... by magnification , something that occurs less markedly and intensively in the
minds of the majority of children . Antiquity has furnished us with legendary
matter which corroborates this belief , and the profound and universal validity of
the old ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |