A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 92
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
Pagina 109
... universal of feeling and objective to the in- dividual mind . That is to say , the educated man is still , in his primitive emotional make - up , part of the universal real . His difference is only ideal and formal , just as a house ...
... universal of feeling and objective to the in- dividual mind . That is to say , the educated man is still , in his primitive emotional make - up , part of the universal real . His difference is only ideal and formal , just as a house ...
Pagina 493
... universal ; history of the par- ticular . The rule of probable or necessary sequence as applied to the incidents ... universal , history the particular . By the universal I mean how a person of a certain type will on occasion speak or ...
... universal ; history of the par- ticular . The rule of probable or necessary sequence as applied to the incidents ... universal , history the particular . By the universal I mean how a person of a certain type will on occasion speak or ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York