A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 222
... whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very simplest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
... whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very simplest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
Pagina 223
... whole delight and interest of " body - and - mind " in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
... whole delight and interest of " body - and - mind " in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
Pagina 342
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for move- ment determines the loosening of boundaries , the ...
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for move- ment determines the loosening of boundaries , the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York