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Pagina 222
The simple answer to this question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very simplest facts .
The simple answer to this question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very simplest facts .
Pagina 223
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind " in ...
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind " in ...
Pagina 342
They all seem to be marked by the expression of the whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for move- ment ...
They all seem to be marked by the expression of the whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for move- ment ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |