A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 222
... whole principle of esthetic expres- siveness . We should begin , I am convinced , from the very simplest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single ...
... whole principle of esthetic expres- siveness . We should begin , I am convinced , from the very simplest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single ...
Pagina 223
... whole delight and interest of “ body - and - mind ” in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
... whole delight and interest of “ body - and - mind ” in handling the clay or metal or wood or molten glass . It is alive in your hands , and its life grows or rather magically springs into shapes which it , and you in it , seem to desire ...
Pagina 342
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for move- ment determines the loosening of boundaries , the ...
... whole , or there is a dominant feature to which the elements have been adapted . The parts of a Greek temple have the air of a family of forms . In Baroque art , a taste for move- ment determines the loosening of boundaries , the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York