A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 155
... words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feeling- tone of the words themselves . Attention must sink below ...
... words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feeling- tone of the words themselves . Attention must sink below ...
Pagina 156
... words . That is why rhythm , " preciousness , " and style are alien to the novel ; why the novel translates so well ; why novels are not composed of words . They are composed of scenes , actions , stuff , people , just as plays are ...
... words . That is why rhythm , " preciousness , " and style are alien to the novel ; why the novel translates so well ; why novels are not composed of words . They are composed of scenes , actions , stuff , people , just as plays are ...
Pagina 163
... words and not con- tained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the portion of external reality symbolized by the manifest ...
... words and not con- tained in the sense of the words - that is , in the portions of external reality which the words symbolize ? The emotions are not associated affectively with the portion of external reality symbolized by the manifest ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York