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Pagina 133
Shall we dare really to com- pare an imaginative writer with " one who dreams in broad daylight , ” and his creations with ... Let us keep to the latter , and let us also not choose for our comparison those writers who are most highly ...
Shall we dare really to com- pare an imaginative writer with " one who dreams in broad daylight , ” and his creations with ... Let us keep to the latter , and let us also not choose for our comparison those writers who are most highly ...
Pagina 134
The psychological novel in general probably owes its peculiarities to the tendency of modern writers to split up their ego by selfobservation into many component - egos , and in this way to personify the conflicting trends in their own ...
The psychological novel in general probably owes its peculiarities to the tendency of modern writers to split up their ego by selfobservation into many component - egos , and in this way to personify the conflicting trends in their own ...
Pagina 135
Here , too , the writer retains a certain amount of independence , which can express itself in the choice of ... You will say that , although writers came first in the title of this paper , I have told you far less about them than about ...
Here , too , the writer retains a certain amount of independence , which can express itself in the choice of ... You will say that , although writers came first in the title of this paper , I have told you far less about them than about ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |