A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 133
... writers who are most highly esteemed by critics . We will choose the less pretentious writers of romances , novels , and stories , who are read all the same by the widest circles of men and women . There is one very marked ...
... writers who are most highly esteemed by critics . We will choose the less pretentious writers of romances , novels , and stories , who are read all the same by the widest circles of men and women . There is one very marked ...
Pagina 134
... writers , and who deviate in many things from the so - called norm , has shown us analogous variations in their daydreams in which the ego contents itself with the role of spectator . If our comparison of the imaginative writer with the ...
... writers , and who deviate in many things from the so - called norm , has shown us analogous variations in their daydreams in which the ego contents itself with the role of spectator . If our comparison of the imaginative writer with the ...
Pagina 135
... writers came first in the title of this paper , I have told you far less about them than about phantasy . I am aware of that , and will try to excuse myself by pointing to the present state of our knowledge . I could only throw out ...
... writers came first in the title of this paper , I have told you far less about them than about phantasy . I am aware of that , and will try to excuse myself by pointing to the present state of our knowledge . I could only throw out ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York