The Philosophy of Modern Literary TheoryAthlone Press, 1999 - 263 pagine A remarkable, systematic reconstruction of the philosophical and aesthetic foundations of the major literary theories, from Anglo-American New Criticism to Deconstruction and Postmodernism. The book ranges across not just the philosophical underpinnings of English Literature but also the critical literatures of Eastern Europe, France, Germany, Italy and North America. For the first time, the major schools of literary theory are set within their philosophical context. The book is likely to become the standard introduction to the study of literary theory. |
Sommario
THE PHILOSOPHICAL AND AESTHETIC | 1 |
From Romanticism and Young Hegelianism to Nietzsche | 9 |
ANGLOAMERICAN NEW CRITICISM | 17 |
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Adorno aesthetic object aesthetic theory ambivalence analysed aporia argues artistic attempt autonomy avant-garde Bakhtin Barthes Benjamin chap chapter character concept conceptualisation considered content plane context contradictions Critical Theory criticises critique Croce culture deconstruction deconstructionist defined Derrida dialectic différance discourse domination explains expression plane Formalists function global Goldmann Greimas Hartman Hegel heterogeneous Hillis Miller historical Ibid idea ideology indeterminacy Ingarden interpretation interpretive communities Iser isotopies iterability Jakobson Jauss Kant Kant's Kantian language linguistic literary criticism literary text literary theory logocentrism London London-New York Lukács Lyotard Mallarmé Marx Marxist meaning metaphor metaphysical Mukařovský narrative negative Nietzsche Nietzschean norms notion novel Paris particular perspective philosophy phonetic poem poetic poetry point of view political polysemy postmodern postulate radical rationalist reader reader-response criticism realise rhetorical Roland Barthes Russian Formalism semantic sememes semiotic sense signifier social sociolects Sublime textual theoretical totality truth University Press univocal Vischer words Young Hegelian