Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 118
John Hospers. at New York's Museum of Non - Objective Art , and these approach the point of complete irrelevance to life ; but spoken words , apart from all meaning and association from life , simply for the pleas- ure of their esthetic ...
John Hospers. at New York's Museum of Non - Objective Art , and these approach the point of complete irrelevance to life ; but spoken words , apart from all meaning and association from life , simply for the pleas- ure of their esthetic ...
Pagina 242
... York , Doubleday , Doran and Company , 1909 . Berenson , Bernhard . The Central Italian Painters of the Renaissance . New York , G. P. Putnam's Sons , 1909. 2nd edition . Bernheimer , Richard , Carpenter , Rhys , Koffka , K. , and Nahm ...
... York , Doubleday , Doran and Company , 1909 . Berenson , Bernhard . The Central Italian Painters of the Renaissance . New York , G. P. Putnam's Sons , 1909. 2nd edition . Bernheimer , Richard , Carpenter , Rhys , Koffka , K. , and Nahm ...
Pagina 245
... York , H. Holt and Company , 1935 . Redfield , John . Music : A Science and An Art . New York , A. A. Knopf , 1930 . ** Reid , L. A. A Study in Esthetics . New York , The Macmillan Com- pany , 1931 . Richards , I. A. Interpretation and ...
... York , H. Holt and Company , 1935 . Redfield , John . Music : A Science and An Art . New York , A. A. Knopf , 1930 . ** Reid , L. A. A Study in Esthetics . New York , The Macmillan Com- pany , 1931 . Richards , I. A. Interpretation and ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
5 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York