Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 26
... apply to subject- matter . The subject - matter of Paradise Lost has been described in its three senses in the previous section : as a representation of an alleged historical event , as its plot , and as its theme . All these are ...
... apply to subject- matter . The subject - matter of Paradise Lost has been described in its three senses in the previous section : as a representation of an alleged historical event , as its plot , and as its theme . All these are ...
Pagina 138
... apply to subject- matter . Greatness of subject - matter would not be artistic great- ness , since , as we have seen ... applying to content - values only , and Dewey's applying to content - and - form values together ( thick and thin ) ...
... apply to subject- matter . Greatness of subject - matter would not be artistic great- ness , since , as we have seen ... applying to content - values only , and Dewey's applying to content - and - form values together ( thick and thin ) ...
Pagina 222
... apply any more to art than to anything else . Any word , no matter what , loses its significance when it can be predicated of everything . When philosophers say , " Everything is mind , " or " Everything is matter , " the words " mind ...
... apply any more to art than to anything else . Any word , no matter what , loses its significance when it can be predicated of everything . When philosophers say , " Everything is mind , " or " Everything is matter , " the words " mind ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York