Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 59
John Hospers. ing , although we might have more reason for making such an assertion . Thus , when it is asserted that " music is the language of the emotions , " the truth of this statement depends on what it was intended to mean . If it ...
John Hospers. ing , although we might have more reason for making such an assertion . Thus , when it is asserted that " music is the language of the emotions , " the truth of this statement depends on what it was intended to mean . If it ...
Pagina 160
... asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to ... assertion ( or implied proposi- 25. Wilbur M. Urban , Language and Reality , Chapter 10 , esp . pp . 498-500 . tion ) ...
... asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to ... assertion ( or implied proposi- 25. Wilbur M. Urban , Language and Reality , Chapter 10 , esp . pp . 498-500 . tion ) ...
Pagina 161
... assertion implicitly within itself ? What kind of implication is here meant ? Is the implied proposition logically im- plied ? But if not logically , then how ? And what are the proposi- tion or propositions which are in each case ...
... assertion implicitly within itself ? What kind of implication is here meant ? Is the implied proposition logically im- plied ? But if not logically , then how ? And what are the proposi- tion or propositions which are in each case ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York