Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 20
... basis of which he may conceive imaginatively . It seems to me that works of literary or pictorial art which do have as their basis some certain scene or person or historical plot or situation constantly gravitate between using it as ...
... basis of which he may conceive imaginatively . It seems to me that works of literary or pictorial art which do have as their basis some certain scene or person or historical plot or situation constantly gravitate between using it as ...
Pagina 23
... basis of anything outside them , but on the basis of something within the works themselves , namely , whether or not there are characters , scenes , or events depicted in the works . And it will be clear at once that in the case of ...
... basis of anything outside them , but on the basis of something within the works themselves , namely , whether or not there are characters , scenes , or events depicted in the works . And it will be clear at once that in the case of ...
Pagina 37
... basis of the whole , just as they are the basis of human life . " 18 ( 4 ) All the while the trumpet is used , as it always is by Bach , as an allegory of the majesty of God ( often to the point of represent- ing the voice of God ...
... basis of the whole , just as they are the basis of human life . " 18 ( 4 ) All the while the trumpet is used , as it always is by Bach , as an allegory of the majesty of God ( often to the point of represent- ing the voice of God ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York