Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 73
... beauty and expressiveness are synony- mous , or at any rate necessary to each other . Those who wish to identify beauty with expressiveness may do so in either of the following ways : ( 1 ) they may define beauty independently and say ...
... beauty and expressiveness are synony- mous , or at any rate necessary to each other . Those who wish to identify beauty with expressiveness may do so in either of the following ways : ( 1 ) they may define beauty independently and say ...
Pagina 120
... beauty is indefeasibly humanistic , not only properly but inescapably ideal , repre- sentative , expressive , and evocative - which is another way of saying that it is inescapably related to that system of needs , interests , and ...
... beauty is indefeasibly humanistic , not only properly but inescapably ideal , repre- sentative , expressive , and evocative - which is another way of saying that it is inescapably related to that system of needs , interests , and ...
Pagina 136
... beauty " and " beautiful , " to determine what ( if anything ) all these usages possess in common . But regardless of what the analysis of " beauty " may be , we can clarify its usage by making a distinction which has pervaded the ...
... beauty " and " beautiful , " to determine what ( if anything ) all these usages possess in common . But regardless of what the analysis of " beauty " may be , we can clarify its usage by making a distinction which has pervaded the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York