Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 41
... becomes less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination — it becomes ...
... becomes less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination — it becomes ...
Pagina 83
... become better acquainted with music , cease to talk about it in “ emotive " terms and use strictly musical ... becomes , the more he is inclined toward the former MEANING 83.
... become better acquainted with music , cease to talk about it in “ emotive " terms and use strictly musical ... becomes , the more he is inclined toward the former MEANING 83.
Pagina 115
... becomes imbued with these forms , and , to parody Pater's famous dictum , aspires to the con- dition of art . But of this ... become , in the minds of the greater number of artists and critics today , the essence and sine qua non of all ...
... becomes imbued with these forms , and , to parody Pater's famous dictum , aspires to the con- dition of art . But of this ... become , in the minds of the greater number of artists and critics today , the essence and sine qua non of all ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York