Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 111
... character ? Surely the artist has more before him than " lines , planes , and volumes . " Surely , if he is not ridden by theories , he is interested in character . Not the dis- embodied , purely mental character which is the object of ...
... character ? Surely the artist has more before him than " lines , planes , and volumes . " Surely , if he is not ridden by theories , he is interested in character . Not the dis- embodied , purely mental character which is the object of ...
Pagina 143
... character in a play is not merely a character which does not correspond to real life , but a character who is falsely drawn in the sense that it is not con- sistently worked out . Sentimentality may enter ; what ought to be tragedy may ...
... character in a play is not merely a character which does not correspond to real life , but a character who is falsely drawn in the sense that it is not con- sistently worked out . Sentimentality may enter ; what ought to be tragedy may ...
Pagina 174
... character .... The distortion , the departure from camera truth , is not only for rhythmic and sensuous effect , but for the truthful revelation of character.14 Any student of visual art should be able to multiply examples of this ...
... character .... The distortion , the departure from camera truth , is not only for rhythmic and sensuous effect , but for the truthful revelation of character.14 Any student of visual art should be able to multiply examples of this ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York