Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 45
... definite name . Thus we might classify the transitions to program music as follows ( I am not taking into account here such mixed forms as opera and song ) : 1. Program music : evokes the impression of some definite ob- ject , event ...
... definite name . Thus we might classify the transitions to program music as follows ( I am not taking into account here such mixed forms as opera and song ) : 1. Program music : evokes the impression of some definite ob- ject , event ...
Pagina 56
... definite feeling as the subject of any of these themes ? One will say " love . " He may be right . Another thinks it is " longing . " Per- haps so . A third feels it to be " religious fervor . " Who can contradict him ? Now , how can we ...
... definite feeling as the subject of any of these themes ? One will say " love . " He may be right . Another thinks it is " longing . " Per- haps so . A third feels it to be " religious fervor . " Who can contradict him ? Now , how can we ...
Pagina 79
... definite . If you asked me what I thought on the occasion in question , I say , the song itself precisely as it stands . And if , in this or that instance , I had in my mind a definite word or definite words , I would not utter them to ...
... definite . If you asked me what I thought on the occasion in question , I say , the song itself precisely as it stands . And if , in this or that instance , I had in my mind a definite word or definite words , I would not utter them to ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York