Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 65
... discussed in Chapter II and deprive the term of its distinctive meaning . But what distinctive meaning has the word " express , " when used in such a statement as " This composition expresses melancholy " ? ( We would ordinarily declare ...
... discussed in Chapter II and deprive the term of its distinctive meaning . But what distinctive meaning has the word " express , " when used in such a statement as " This composition expresses melancholy " ? ( We would ordinarily declare ...
Pagina 208
... discussed first of all " truth - about " -facts , data ; and although we saw that it is no part of the function of art to present these truths , they do nevertheless occur in works of art : from Stendhal's Le Rouge et Le Noir we learn a ...
... discussed first of all " truth - about " -facts , data ; and although we saw that it is no part of the function of art to present these truths , they do nevertheless occur in works of art : from Stendhal's Le Rouge et Le Noir we learn a ...
Pagina 223
... discussed throughout Chapter VI . And since this , the most im- portant sense of " reality " relevant to works of art , has been discussed in detail already , there is no point in going over it again . And thus the present discussion of ...
... discussed throughout Chapter VI . And since this , the most im- portant sense of " reality " relevant to works of art , has been discussed in detail already , there is no point in going over it again . And thus the present discussion of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York