Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 53
... Emotions occur only in sentient beings ; but in music no sentient beings are rep- resented , hence no emotions . You cannot have the smile without the Cheshire cat . The same is true of lyric poetry and of all poetry in which no ...
... Emotions occur only in sentient beings ; but in music no sentient beings are rep- resented , hence no emotions . You cannot have the smile without the Cheshire cat . The same is true of lyric poetry and of all poetry in which no ...
Pagina 99
... emotion . A painter too feeble to create forms that provoke more than a little esthetic emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life , he must use representation . Thus a man ...
... emotion . A painter too feeble to create forms that provoke more than a little esthetic emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life , he must use representation . Thus a man ...
Pagina 100
... emotion collapses , and I begin weaving into the harmonies that I cannot grasp , the ideas of life . In- capable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and mystery , love ...
... emotion collapses , and I begin weaving into the harmonies that I cannot grasp , the ideas of life . In- capable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and mystery , love ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York