Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 72
... entirely due to association . A certain kind of crude pink comes to have vulgar associations because something in pinkness itself jars upon us .... The trumpet and the drum come to have martial associations because their quality , as ...
... entirely due to association . A certain kind of crude pink comes to have vulgar associations because something in pinkness itself jars upon us .... The trumpet and the drum come to have martial associations because their quality , as ...
Pagina 137
... entirely or almost entirely in the thin dimension , it is beautiful without being great . On the other hand , if its beauty lies chiefly in the thick dimension , it may be artistically great without having much formal or surface beauty ...
... entirely or almost entirely in the thin dimension , it is beautiful without being great . On the other hand , if its beauty lies chiefly in the thick dimension , it may be artistically great without having much formal or surface beauty ...
Pagina 214
... entirely or almost entirely free of them . 2 One special application of the general thesis of this chapter is of special interest to connoisseurs of art : the relation of art to belief . Objection has often been made to truth in art on ...
... entirely or almost entirely free of them . 2 One special application of the general thesis of this chapter is of special interest to connoisseurs of art : the relation of art to belief . Objection has often been made to truth in art on ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York