Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 186
... essence , " an aspect of nature which Professor Bevan had never before seen , and which subsequently colored and ... essences : Thus , Theodore Rousseau is preoccupied in his careful drawings and paintings with the multiplicity of leaves ...
... essence , " an aspect of nature which Professor Bevan had never before seen , and which subsequently colored and ... essences : Thus , Theodore Rousseau is preoccupied in his careful drawings and paintings with the multiplicity of leaves ...
Pagina 194
... essence , an objective essence which , though it does not exist in the perceiv- able universe , exists ( or perhaps subsists ) in some metaphysical realm beyond the senses . But such an hypothesis is certainly not necessary to account ...
... essence , an objective essence which , though it does not exist in the perceiv- able universe , exists ( or perhaps subsists ) in some metaphysical realm beyond the senses . But such an hypothesis is certainly not necessary to account ...
Pagina 223
... essence , " some " truth - to . " It will be seen at once that when we say something is real in this sense , we are talking about exactly the same sort of thing we discussed throughout Chapter VI . And since this , the most im- portant ...
... essence , " some " truth - to . " It will be seen at once that when we say something is real in this sense , we are talking about exactly the same sort of thing we discussed throughout Chapter VI . And since this , the most im- portant ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York