Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 88
... existence , but it need be no more true of music than of poetry that it must be essentially mean- ingless . If , therefore , we find that some compositions irresistibly sug- gest to us some spiritual context we need not resist this ...
... existence , but it need be no more true of music than of poetry that it must be essentially mean- ingless . If , therefore , we find that some compositions irresistibly sug- gest to us some spiritual context we need not resist this ...
Pagina 153
... existence of God . In this respect also it differs from realism . ) Romanticism , I think , differs from realism both in selection of details and in manner of presenting them . It is possible , I daresay , to select only the details ...
... existence of God . In this respect also it differs from realism . ) Romanticism , I think , differs from realism both in selection of details and in manner of presenting them . It is possible , I daresay , to select only the details ...
Pagina 231
... existence we had never before been aware of , then all is well . This point has already been made in a pre- ceding chapter ; but if this is the substance of his remarks , then why these statements about " reality " ? All the further ...
... existence we had never before been aware of , then all is well . This point has already been made in a pre- ceding chapter ; but if this is the substance of his remarks , then why these statements about " reality " ? All the further ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York