Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 3
... experience is that there is such a thing : that is to say , that there is a kind of experience which , though not com- pletely isolated from the rest of our experience , is sufficiently dis- tinct from it to deserve a special name ...
... experience is that there is such a thing : that is to say , that there is a kind of experience which , though not com- pletely isolated from the rest of our experience , is sufficiently dis- tinct from it to deserve a special name ...
Pagina 96
... experience of the arts this is even more the case , for here there is an added complication , namely , the fact that the emo- tion experienced in the presence of the work of art is different from the emotion experienced outside the work ...
... experience of the arts this is even more the case , for here there is an added complication , namely , the fact that the emo- tion experienced in the presence of the work of art is different from the emotion experienced outside the work ...
Pagina 223
... experience of distance or spatial depth or form in the way we have described in the preceding chap- ters . In this ... experience of Cézanne is a real experience , since in the way in which " real " is used in that context , every ...
... experience of distance or spatial depth or form in the way we have described in the preceding chap- ters . In this ... experience of Cézanne is a real experience , since in the way in which " real " is used in that context , every ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York