Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 50
... fact that we do recognize these rep- resentations in the painting to be representations of these objects ; but the fact remains that this man is on the canvas , not outside it ( just as , in literature , there is no Odysseus outside ...
... fact that we do recognize these rep- resentations in the painting to be representations of these objects ; but the fact remains that this man is on the canvas , not outside it ( just as , in literature , there is no Odysseus outside ...
Pagina 118
... fact that they are important , however , is easily seen by noting the effect produced when they are lacking : I was present at a film which recorded the work of rescue from a ship wrecked off the coast of Portugal . One saw at a ...
... fact that they are important , however , is easily seen by noting the effect produced when they are lacking : I was present at a film which recorded the work of rescue from a ship wrecked off the coast of Portugal . One saw at a ...
Pagina 157
... facts and statements , we should unswervingly believe the hard , tested fact which the scientist offers us . To repeat , if the poet is to give us truths in the sense of statements , facts , then there is no alternative but the one that ...
... facts and statements , we should unswervingly believe the hard , tested fact which the scientist offers us . To repeat , if the poet is to give us truths in the sense of statements , facts , then there is no alternative but the one that ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York