Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 226
... give that emotion some cosmic status by saying that " reality " is its source , etc. They are apparently not satisfied , as we were in the preceding chapter , with saying that art conveys com- municable essences , ways of perceiving the ...
... give that emotion some cosmic status by saying that " reality " is its source , etc. They are apparently not satisfied , as we were in the preceding chapter , with saying that art conveys com- municable essences , ways of perceiving the ...
Pagina 235
... give us that . When the arts give us knowledge , they do so only inci- dentally ; but the enrichment of our perceptions , the deepening of our affective life , this is by no means incidental . But Erkenntnis is the task of the special ...
... give us that . When the arts give us knowledge , they do so only inci- dentally ; but the enrichment of our perceptions , the deepening of our affective life , this is by no means incidental . But Erkenntnis is the task of the special ...
Pagina 236
... give the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
... give the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York