Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 20
... historical situation , then they may be said to be imitating ( in the literal sense ) that scene or that situation , and the hillside or the historical situation is their respec- tive subject - matters in the strictest possible sense ...
... historical situation , then they may be said to be imitating ( in the literal sense ) that scene or that situation , and the hillside or the historical situation is their respec- tive subject - matters in the strictest possible sense ...
Pagina 21
... historical . It is enough to point out that there is sometimes a subject - matter out- side the work ( which the artist may imitate more or less accurately -the more accurately , the more the historical object or event is subject ...
... historical . It is enough to point out that there is sometimes a subject - matter out- side the work ( which the artist may imitate more or less accurately -the more accurately , the more the historical object or event is subject ...
Pagina 149
... historical ones ; and even if some actual observed scene might have served as ( secondary ) material for some scene in the novel , it was never an exact model . And the moment we get away from accurate , literal historical truth , this ...
... historical ones ; and even if some actual observed scene might have served as ( secondary ) material for some scene in the novel , it was never an exact model . And the moment we get away from accurate , literal historical truth , this ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York