Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 24
... idea of the poem - its theme . When asked what the theme of the poem is , we will probably make some such reply as : " The moral truth that man free to exercise his will is better than man in his sinless state , " or : " The eternal ...
... idea of the poem - its theme . When asked what the theme of the poem is , we will probably make some such reply as : " The moral truth that man free to exercise his will is better than man in his sinless state , " or : " The eternal ...
Pagina 147
... ideas must be con- veyed ; and most of the drops , finding their direct paths blocked , must be diverted and find an exit in the nearest hole . It is surely more difficult to put an idea into words than to translate it ( al- ready in ...
... ideas must be con- veyed ; and most of the drops , finding their direct paths blocked , must be diverted and find an exit in the nearest hole . It is surely more difficult to put an idea into words than to translate it ( al- ready in ...
Pagina 218
... idea.3 And in the same way , when Professor Abercrombie praises Homer for the wonderful way in which his " wide vision of life " saturates his poetry , he is praising him for poetic virtues ; but when he goes on to praise Homer and ...
... idea.3 And in the same way , when Professor Abercrombie praises Homer for the wonderful way in which his " wide vision of life " saturates his poetry , he is praising him for poetic virtues ; but when he goes on to praise Homer and ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York