Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 103
... illustration , for we may as well use that as a convenient term for the visual arts employed on psychological material . And we must regard illustration as more closely akin in its essence to literature than it is to plastic art ...
... illustration , for we may as well use that as a convenient term for the visual arts employed on psychological material . And we must regard illustration as more closely akin in its essence to literature than it is to plastic art ...
Pagina 104
... illustration and the art of plastic volumes . . . . " 49 And since the art of illustration is really " literary " and quite extraneous to the plastic medium , wherever the literary values interfere with the plastic , it is the former ...
... illustration and the art of plastic volumes . . . . " 49 And since the art of illustration is really " literary " and quite extraneous to the plastic medium , wherever the literary values interfere with the plastic , it is the former ...
Pagina 108
... illustration from music : When we compare , let us say , a symphony of Haydn with Beethoven's Eroica and Fifth , it is impossible not to be conscious of a difference of a semi - literary quality . Beethoven's own title for his Third ...
... illustration from music : When we compare , let us say , a symphony of Haydn with Beethoven's Eroica and Fifth , it is impossible not to be conscious of a difference of a semi - literary quality . Beethoven's own title for his Third ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York