Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 197
... imaginative construction out of these given materials . All that is strictly given is sense - data , but what we ... imaginative synthesis of the given data of sense , the world of poetry is an imaginative synthesis or con- struction ...
... imaginative construction out of these given materials . All that is strictly given is sense - data , but what we ... imaginative synthesis of the given data of sense , the world of poetry is an imaginative synthesis or con- struction ...
Pagina 200
... imaginative world ; as we have seen , the question of ultimate truth remains unanswered . " And " the primary fact about poetry is that in and through it an imaginative object is conveyed . " 55 And at the very end of the book , “ I ...
... imaginative world ; as we have seen , the question of ultimate truth remains unanswered . " And " the primary fact about poetry is that in and through it an imaginative object is conveyed . " 55 And at the very end of the book , “ I ...
Pagina 201
... imaginative pattern . This comprehensive imaginative pattern may be but a background to the particular imaginative pre- hension which is conveyed in the lyric ; in the play or novel , it finds a full expression , as a single prehension ...
... imaginative pattern . This comprehensive imaginative pattern may be but a background to the particular imaginative pre- hension which is conveyed in the lyric ; in the play or novel , it finds a full expression , as a single prehension ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York