Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 21
... imitate some actual scene from nature . But what can music imitate ? I would reply that if painting can imitate sights in nature , music can imitate sounds in nature . It is , of course , quite true ( as we shall see in the next chapter ) ...
... imitate some actual scene from nature . But what can music imitate ? I would reply that if painting can imitate sights in nature , music can imitate sounds in nature . It is , of course , quite true ( as we shall see in the next chapter ) ...
Pagina 40
... imitate , more or less , actual existing persons or scenes , and litera- ture ( especially novels ) may imitate with greater or less fidelity the actual sequence of historical events . ( Just how closely this ideal of " pure realism ...
... imitate , more or less , actual existing persons or scenes , and litera- ture ( especially novels ) may imitate with greater or less fidelity the actual sequence of historical events . ( Just how closely this ideal of " pure realism ...
Pagina 41
... imitate " ) anything ? Painting can imi- tate , to a very close approximation , visual scenes from life ; litera- ture may imitate ( not directly through a sensuous medium as painting does , but indirectly through the symbolic medium of ...
... imitate " ) anything ? Painting can imi- tate , to a very close approximation , visual scenes from life ; litera- ture may imitate ( not directly through a sensuous medium as painting does , but indirectly through the symbolic medium of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York