Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 12
... life , from the world of experience outside art — and for lack of a better term I shall call what is thus conveyed life - values . The arts , especially the fine arts , have sometimes a surface more esthetically rich and satisfying ...
... life , from the world of experience outside art — and for lack of a better term I shall call what is thus conveyed life - values . The arts , especially the fine arts , have sometimes a surface more esthetically rich and satisfying ...
Pagina 13
... life - values , and adapted to certain life - purposes . The design of the streamlined automobile seems to express speed , efficiency , ease , power ( all of them values from life , dependent upon our knowledge from everyday experience ...
... life - values , and adapted to certain life - purposes . The design of the streamlined automobile seems to express speed , efficiency , ease , power ( all of them values from life , dependent upon our knowledge from everyday experience ...
Pagina 110
... life - values does not render them unesthetic . But as yet I have not replied to Fry's claim that the two clash . Fry says , we may remember , that whenever the introduction into art of emo- tions from everyday life occurs , the latter ...
... life - values does not render them unesthetic . But as yet I have not replied to Fry's claim that the two clash . Fry says , we may remember , that whenever the introduction into art of emo- tions from everyday life occurs , the latter ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York