Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 51
... medium of words , Tom Jones and a whole series of his adventures can truly be said to be represented in Fielding's novel.28 A curious and interesting difference between literature and painting may be observed in this connection ...
... medium of words , Tom Jones and a whole series of his adventures can truly be said to be represented in Fielding's novel.28 A curious and interesting difference between literature and painting may be observed in this connection ...
Pagina 120
... medium can be apprehended in its purely sensory aspect without mutilation . It can stand alone entire . It is not a necessary part of color , line , and space to represent , express , or evoke . The sensory medium itself has a beauty ...
... medium can be apprehended in its purely sensory aspect without mutilation . It can stand alone entire . It is not a necessary part of color , line , and space to represent , express , or evoke . The sensory medium itself has a beauty ...
Pagina 215
... medium does not insure mastery of the subject - matter of which one speaks in that medium . Equally stirring appeals can be made on both sides of a question ; the stirringness does not affect the merits of either side . My point is ...
... medium does not insure mastery of the subject - matter of which one speaks in that medium . Equally stirring appeals can be made on both sides of a question ; the stirringness does not affect the merits of either side . My point is ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York