Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 12
... mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than it ... merely as an arrangment of pleasing colors , shapes , and volumes , but as expressive of many things in life ...
... mere separate sense elements . . . . but this surface is not the central life and significance of the arts any more than it ... merely as an arrangment of pleasing colors , shapes , and volumes , but as expressive of many things in life ...
Pagina 113
... merely to illustrate a scene from life or to arouse the same old life - emotion over again . This is not ... mere " dramatic , " mere " psychological " in- terest , to mere formal interest . It is only , if the experience be an esthetic ...
... merely to illustrate a scene from life or to arouse the same old life - emotion over again . This is not ... mere " dramatic , " mere " psychological " in- terest , to mere formal interest . It is only , if the experience be an esthetic ...
Pagina 235
... merely that when we are in the presence of a thing we are in a position to state some things about it just by looking at it , then this is true ; this is knowledge . But it is more than mere awareness . Through mere awareness of the ...
... merely that when we are in the presence of a thing we are in a position to state some things about it just by looking at it , then this is true ; this is knowledge . But it is more than mere awareness . Through mere awareness of the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York