Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 147
... never be entirely eliminated . This is true in the writing of history , and even more so in literature.12 ( 2 ) Language itself is a barrier to perfect realism . No word , I think , expresses precisely the thought or feeling which ...
... never be entirely eliminated . This is true in the writing of history , and even more so in literature.12 ( 2 ) Language itself is a barrier to perfect realism . No word , I think , expresses precisely the thought or feeling which ...
Pagina 195
... never before felt , except perhaps in embryo . Music , as we saw in Part I , evokes experiences which we could never have in any other way ; but here we seem to have experiences of quite a different kind . Beethoven's late music ...
... never before felt , except perhaps in embryo . Music , as we saw in Part I , evokes experiences which we could never have in any other way ; but here we seem to have experiences of quite a different kind . Beethoven's late music ...
Pagina 202
... never forget entirely that there is an outside world ; we can never see a painting of a human being without knowing it to be a human being , and without com- ing to it with a large apperception - mass of fused experiences and ...
... never forget entirely that there is an outside world ; we can never see a painting of a human being without knowing it to be a human being , and without com- ing to it with a large apperception - mass of fused experiences and ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York