Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 51
... painting is representational . Music , as we have seen , can evoke the impression of all sorts of things , but no object is in the music in the way that it is there on the canvas . In a somewhat less direct way , literature too can be ...
... painting is representational . Music , as we have seen , can evoke the impression of all sorts of things , but no object is in the music in the way that it is there on the canvas . In a somewhat less direct way , literature too can be ...
Pagina 53
... painting , even though this might not be true in quite the strict sense in which the colors or the brushstrokes are in it . At this point someone may object , " But if there's a man in the painting , there can be sadness in the painting ...
... painting , even though this might not be true in quite the strict sense in which the colors or the brushstrokes are in it . At this point someone may object , " But if there's a man in the painting , there can be sadness in the painting ...
Pagina 112
... painting : the psychology is plastic psychology . 61 There is , then , naturally an " evaporation " in illustrational paint- ing ; wherever , that is , the subject - matter of the painting loses its interest ( for example , when the ...
... painting : the psychology is plastic psychology . 61 There is , then , naturally an " evaporation " in illustrational paint- ing ; wherever , that is , the subject - matter of the painting loses its interest ( for example , when the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York