Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 121
... particular con- text . We need not have knowledge of any particular life - situation , for example , the one that may have inspired the composer . We must have lived as human beings , but not through any particular set of experiences ...
... particular con- text . We need not have knowledge of any particular life - situation , for example , the one that may have inspired the composer . We must have lived as human beings , but not through any particular set of experiences ...
Pagina 163
... particular human beings . They are , so to speak , " more true than life itself , " more revealing of human nature than any individual persons we have met . This is a very curious phe- nomenon , and we can do no better in investigating ...
... particular human beings . They are , so to speak , " more true than life itself , " more revealing of human nature than any individual persons we have met . This is a very curious phe- nomenon , and we can do no better in investigating ...
Pagina 171
... particular human life or chain of events , but by many . The fact of chance as it enters , as it certainly does to a ... particular chance events that happened to particular people ( Alcibiades ) would then 3. To what extent must the ...
... particular human life or chain of events , but by many . The fact of chance as it enters , as it certainly does to a ... particular chance events that happened to particular people ( Alcibiades ) would then 3. To what extent must the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York