Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 17
... picture is deter- mined not by subject - matter as such but by the way in which it is handled . " 12 And this , we can now see , can be true without entail- ing that it is the form only which is of importance . For the content also is ...
... picture is deter- mined not by subject - matter as such but by the way in which it is handled . " 12 And this , we can now see , can be true without entail- ing that it is the form only which is of importance . For the content also is ...
Pagina 99
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representa- tive element , and so when they discuss pictures they talk about the shapes ...
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representa- tive element , and so when they discuss pictures they talk about the shapes ...
Pagina 106
... picture , apart from any story which it may be supposed to tell . My picture of " Harmony in Grey and Gold " is an illustration of my meaning - a snow scene with a single black figure and a lighted tavern . I care nothing for the past ...
... picture , apart from any story which it may be supposed to tell . My picture of " Harmony in Grey and Gold " is an illustration of my meaning - a snow scene with a single black figure and a lighted tavern . I care nothing for the past ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York