Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 16
... poem such as Hamlet to an exercise in style and versification and sound - values , rather than to a " pre - occupa- tion with man and his fate " ( Bradley's term ) , is indeed mistaking the means for the end , and that the critic who ...
... poem such as Hamlet to an exercise in style and versification and sound - values , rather than to a " pre - occupa- tion with man and his fate " ( Bradley's term ) , is indeed mistaking the means for the end , and that the critic who ...
Pagina 18
... poem , something the poet did to the original material in order to transform it into the poem . Ordinarily we do speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself ...
... poem , something the poet did to the original material in order to transform it into the poem . Ordinarily we do speak of form as present in the work . And when we speak of the " content of the poem , " we do not mean the poem itself ...
Pagina 54
... poets taught , a poem is a natural symbol for - and should naturally evoke a certain unique emotional state , which the poem alone is able to evoke . Some evocations , on this view , are natural while others are not , just as the other ...
... poets taught , a poem is a natural symbol for - and should naturally evoke a certain unique emotional state , which the poem alone is able to evoke . Some evocations , on this view , are natural while others are not , just as the other ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York