Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 16
... poet may do well or ill with any given subject - matter ; on the other hand , the content is important , since it is in the poem and refers to what the poet has actually expressed . Many poems have been written on the theme of love ...
... poet may do well or ill with any given subject - matter ; on the other hand , the content is important , since it is in the poem and refers to what the poet has actually expressed . Many poems have been written on the theme of love ...
Pagina 157
... poet is to give us truths in the sense of statements , facts , then there is no alternative but the one that Mr. Eastman suggests ; the poet cannot be relieved of traveling the hard , laborious road to truth just because he is a poet ...
... poet is to give us truths in the sense of statements , facts , then there is no alternative but the one that Mr. Eastman suggests ; the poet cannot be relieved of traveling the hard , laborious road to truth just because he is a poet ...
Pagina 200
... poets , a total imaginative pattern , originally perhaps vaguely felt , clarifies itself in the exploration of a situation or plot which has been felt to be rele- vant to that pattern . Such a unity , inclusive of the poet's imaginative ...
... poets , a total imaginative pattern , originally perhaps vaguely felt , clarifies itself in the exploration of a situation or plot which has been felt to be rele- vant to that pattern . Such a unity , inclusive of the poet's imaginative ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York