Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 127
... poet had in mind while he was writing . 85 I do not think it is necessary to discuss just how much emphasis should be placed on each factor in poetic effects . Mr. Richards as- signs most of the poetic " meaning " to the emotion ...
... poet had in mind while he was writing . 85 I do not think it is necessary to discuss just how much emphasis should be placed on each factor in poetic effects . Mr. Richards as- signs most of the poetic " meaning " to the emotion ...
Pagina 135
... poetic effect , — in fact enhance it more than any other device could.9 Thus Karl Britton seems to me to be perfectly right when he says that there is it may .... no grammar , no logic that is a genuine alternative to the logic and ...
... poetic effect , — in fact enhance it more than any other device could.9 Thus Karl Britton seems to me to be perfectly right when he says that there is it may .... no grammar , no logic that is a genuine alternative to the logic and ...
Pagina 218
... poetic virtues ; but when he goes on to praise Homer and Hardy for having certain views about Fate and Destiny , he is certainly praising them as philosophers , not as poets , and his criticism is no longer poetic criticism . Homer and ...
... poetic virtues ; but when he goes on to praise Homer and Hardy for having certain views about Fate and Destiny , he is certainly praising them as philosophers , not as poets , and his criticism is no longer poetic criticism . Homer and ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Aristotle artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person picture plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words York